The Connection

At first thought, it may seem that 1904 was a simpler time: no iPhones, no AP classes, no traffic to get stuck in. But the Smith family demonstrates that some problems, such as miscommunication and complicated relationships, were equally real in the Victorian era. W. T. Woodson High School's production of "Meet Me in St. Louis" beautifully captured the individual struggles and joys of the endearing Smith family as they encounter change, develop relationships and learn to value each other above all else.

Based on the 1944 film of the same title, "Meet Me in St. Louis" follows the four Smith daughters and their brother as they prepare for the 1904 St. Louis World's Fair. When their father announces the family will be moving to New York, the family is distraught, but as they mourn their beloved home city, they find solace in one another. The musical was written by Hugh Martin, Ralph Blane, and Hugh Wheeler, and opened on Broadway in 1989.

Starring as Esther, the second-eldest daughter and the family's ringleader, Miryam Mendelson displayed angelic vocals and an accomplished emotional range. Whether daydreaming about the boy next door or defending her sisters, Mendelson was full of life and thrilling to watch. Playing John Truett, Esther's beau, Drew Bondy matched Mendelson's vocals with his own marvelous voice and portrayed a thoroughly young man. As the oldest Smith daughter, Rose (Rachel Turner) epitomized a temperamental, lovelorn teenage girl. Fluctuating between devotion to her younger siblings and infatuation with lover Warren Sheffield (Matthew Bendus), Turner demonstrated clear acting superiority accompanied by an enchanting singing voice.

Among the best musical numbers of the night was "The Banjo," in which Lon (Jacob Lamb), the sole Smith son, led family and friends in a new dance he learned at college. Though his vocals were captivating, most entertaining was his tap-dancing solo. Mr. and Mrs. Smith (Blake Phillips and Gracie Malin) shared a delicate yet delightful chemistry; their loving interactions with each other and with their children elucidated how such a charming group of young adults could be raised. Completing the household, maid Katie (Madi Sarlo) contributed fiery Irish wit and wisdom to the family. Katie's bright personality was best showcased in "A Touch of the Irish," when she decides to share with Esther and Rose some insight on handling less than ideal beaus.

Producing a show set over a century ago is no simple feat, but authentic costumes and a remarkable set transitioned the audience with ease to Missouri, 1904. From full-length ballgowns to children's pinafores, the costumes were extensive, elegant, and fitting of the Victorian era. In combination with subtle yet professional makeup, each actor was made to look his or her best. Accompanied by detailed props, the set of the Smith's home was truly lovely. For the most part, the show was well-lit, and despite occasional issues with balancing mics, the sound was masterfully accomplished without any feedback.

The excitement with which the Smith family anticipated the World's Fair and the amusement they derived from singing together, gathered around a piano, sharply contrast today's overscheduled, under-rested society. W. T. Woodson High School's heartwarming production of "Meet Me in St. Louis" serves as a reminder that though cultural trends come and go, the value of a loving family will never diminish.